Doctor Who
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Suggested correction: This is a common film technique, as audiences aren't exactly interested in watching someone walking around the room blowing out candles. She just probably blew them out later, and the pitch black is just showing that part of the room is dark now.

This explains why the mistake exists, however its still a valid mistake despite there being an explanation for it.

Max Thompson

Suggested correction: When Martha blows the single candle's flame out and it goes black, it's not their whole room going black, it's the screen that does a "cut to black" to effectively terminate the shot. This instantaneous dramatic transition punctuates Martha's extreme annoyance with the Doctor.

Super Grover Premium member

The Shakespeare Code - S3-E2

Audio problem: When the Doctor and Martha are watching Shakespeare in the Globe, Martha says "He's a bit different to his portraits". After she says this on the left of the screen the Doctor's head comes into shot and you can clearly see by his facial expressions he is saying something to Martha, yet no sound is heard. (00:06:10)

Professor Lazarus

The Shakespeare Code - S3-E2

Factual error: The establishing shot of Bedlam Hospital shows it with 18th-century neoclassical architecture, in an episode set in 1599, in the Elizabethan era. (00:23:20)

The Shakespeare Code - S3-E2

Continuity mistake: When Lilith runs her hand along the side of the Doctor's head to distract him so she can get some of his hair, in the wide shots her fingers are extended past his ear. In a shot facing him, however, her fingers are curled and in front of his ear. (00:34:40)

The Shakespeare Code - S3-E2

Continuity mistake: When the Doctor is persuading Shakespeare to come up with some words to stop the Carrionites with, in wide shots he has his right arm around Shakespeare's shoulder and is holding his left arm. In close-ups, they are not in physical contact. (00:38:35)

Doctor Who mistake picture

The Shakespeare Code - S3-E2

Continuity mistake: When the Doctor first enters Shakespeare's room at the inn, the collar of his coat is askew. The scene cuts to Shakespeare, and when it cuts back to the Doctor his collar is now flat, without him having moved his hands from his pockets. (00:09:20)

The Shakespeare Code - S3-E2

Continuity mistake: When Lilith has Shakespeare under her spell and is having him write an alternate ending to his play, there is one shot of his face where his quill can be seen in the corner, perfectly still, even though the next shot shows that he's writing. (00:18:25)

The Shakespeare Code - S3-E2

Continuity mistake: When the Doctor, Martha and Shakespeare are in the Globe and they talk about the theatre's architecture, there is a wooden staircase in front of the stage, which Martha and Shakespeare use to descend from the stage when the three leave. Shortly after, at the beginning of the scene where the two actors from Shakespeare's company accidentally summon a Carrionite while practicing their lines, the staircase is gone. (00:22:10)

The Shakespeare Code - S3-E2

Deliberate mistake: The Globe Theatre is shown staging performances at night. In actuality, they performed during the day, when there was enough light, since this was pre-electricity. This was done both to make the climax of the episode scarier and because they shot on location in the real Globe, which still shows its plays during the day, and thus they didn't have a lot of time to shoot during the day there.

The Shakespeare Code - S3-E2

Revealing mistake: When Lilith bespells Shakespeare to write the end of Love's Labour's Won the way the Carrionites want it, there are several shots where a white fleck of some kind is visible in the lower centre of the screen, stuck to the camera lens. (00:17:10)

The Shakespeare Code - S3-E2

Character mistake: After the Carrionites kill Lynley, the Master of the Revels, by using the doll to make him drown on dry land, the Doctor says, while examining the body, that he's never seen a death like it. In the Third Doctor serial "The Mind of Evil", involving a monster that could make people relive their worst fears, a character died in exactly that fashion. (00:13:10)

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Chosen answer: The Master knows that deep down, he deserves death for the crimes that he's committed throughout his life, and since he regards The Doctor as his arch-foe, he expects it to be at his hands. The fact that The Doctor is still willing to forgive him for all of his crimes hurts him more deeply than death would.

Captain Defenestrator

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