Other mistake: When Theo says that she thought Luke was in rehab, Shirley says that he was "until this morning" and that he "flew the coop." In reality, Luke left rehab the previous day.
27th Oct 2020
1st Oct 2014
Question: At one point in the film, Gale and Dewey make the observation that the killer is killing people in a duplication of Woodsboro, going so far as to choose victims with the same names. What happened to that plot point? It certainly doesn't explain the order or the selection of the rest of the victims in the movie. Yes, Randy's murder by Mrs. Loomis and its motive was obvious, but what about the others? Were the first 3 murders set up in a tantalizing pattern in order to lure in Gale, Dewey, and Co.? How did Mickey know they'd catch on to that pattern anyways? Why would he abandon it? Mickey's motive was more theatrical than personal, so one would think he'd stick to patterns, details, and general copycatting.
1st Oct 2014
Question: Similar to how the "killer is duplicating Woodsboro" plot point in Scream 2 was left dangling, why exactly did Roman feel it necessary to kill people in the order that they die in "Stab 3"? We know he's out to make "his movie" (he's very theatrical and artistic like Mickey was), but the "movie" he's referring to is his process of orchestrating real-life events to make his half-sister Sidney into a perpetrator, and he into the innocent victim. Sure, he may have been upset about Sidney's public portrayal as a hero in the first two "Stab" movies, but he wasn't out to set the record straight in "Stab 3" (Jennifer was to be the killer in that movie had they continued production). His "movie" was about turning the tables on Sidney in real life, not through some actual film. It's metaphorical: he's a director, and he's manipulating events out of self-pity and revenge. In the end, Roman's revenge fantasy doesn't really have much to do with the actual "Stab 3" movie at all (other than the fact that it happens to be being filmed in the same area Sidney's mother knew and involves some of the same people, so it presented a perfect backdrop for Roman's confrontation with Sidney), so I don't really see the significance of the systematic order of the murders in relation to the film. Did Roman think that the pattern would draw Sidney out of hiding? Wouldn't the photos of her mother (or the fact that the victims were actors in a film concerning her past) have been enough to get her attention? What is the significance of the order? And why was this plot point also left to dangle like in Scream 2? (We don't know if Roman kept following the order because we don't know how the script goes past a certain point).
23rd Sep 2013
Question: If Cole truly knows that Malcolm is a ghost throughout the film, then how do you explain the advice Malcolm gives Cole to "listen to them [the ghosts.]"? Isn't Cole already doing that by listening to Malcolm? How did Malcolm really help Cole deal with his ghosts and fears if the key advice he gave him was something Cole already did the moment he met Malcolm? If Cole already knew to listen to ghosts (e.g. Malcolm), then how did Malcolm really help Cole in reality? (Or was the point of the film more that of Cole helping Malcolm instead?)
31st Dec 2010
Continuity mistake: In the scene where the Mayor is talking to Dr. LaRue, there is a rack of test tubes on the counter top. The position of the test tubes changes multiple times during this scene. This can be especially noticed after the Mayor spills the chemical and it eats away a big hole in the counter top, if you compare the position of the test tubes with the hole between different shots.
14th Dec 2010
Trivia: In the scene where the Who's finally discover that Horton is real, the Mayor begins introducing random townspeople to Horton. When he introduces Bert, watch closely: Bert is drinking from a mug that has the Blue Sky Productions logo on it, one of the companies that produced Horton Hears a Who.
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