Continuity mistake: Just before the shuttle stops in front of the bridge, we can see the worker being "touched" by the shuttles shadow. In the subsequent shot we can see the shuttle is too far away from the bridge for this to happen.
8th Aug 2008
4th Aug 2008
Continuity mistake: In the beginning of the movie, we see Keanu clean the boat and then throw a football under water. The scene changes between different shots and we can see Keanu sometimes standing on the ground and sometimes in midwater (most noteable before he swims to the surface). (00:01:50)
15th Jul 2008
Other mistake: At the end of the film, Dean can see himself in his TV. He looks up to the fire alerter, assuming the camera filming him is up there. The film camera then also pans up to the fire alerter, indicating the camera is there, too. For this angle, the picture in the TV is wrong, as it is taken from the point of view of the TV.
10th Jul 2008
Continuity mistake: At the beginning of the scene where Anakin and Amidala are getting off the transport, they start to talk. The conversation goes on for a short time, and then the scene cuts to an angle where we can see the transport again. It is far to much away for the time they walked and talked. (00:30:55)
12th May 2008
Continuity mistake: At the beginning of the movie, during Blackout's inbound flight, Blackout is ten miles out. When the two F-22s take off, the angle between the planes and their shadows on the ground is around 60°. This puts the sun somewhere in the middle of the day. Yet, when Blackout lands at the base it's just after sunset.
16th Mar 2008
15th Mar 2008
Deliberate mistake: Before the two shuttles dock to the MIR station, Lev initiates a rotation to simulate gravity. The shuttles then dock with their side hatch pointing to the anchorage. As the gravity is pointing away from the centre of revolution and the station is revolving around its main corridor, the gravity would push the astronauts back in to the shuttle and not towards the floor of the gangways leading to the shuttle or towards the floor of the shuttle. Also, the artificial gravity would be reduced to almost nothing at the main corridor. But here the artificial gravity somehow points down in every part of the station, and appears to work equally well throughout the station. (01:09:40)
15th Mar 2008
14th Mar 2008
Deliberate mistake: Every time the investigators deal with IP-addresses, the addresses on display are impossible. Each of the four parts of an IP-address has to be between 0 and 255. As they do have to use IP-addresses some time, they could use addresses starting with 10. Those would be real addresses although not used as an official IP-address. This isn't the same as phone numbers using 555 - any IP address over 255 just wouldn't work. It would be like mentioning a phone number which uses the symbol for pi.
19th Sep 2007
Factual error: Every time the investigators deal with IP-addresses, the addresses on display are impossible. Each of the four parts of an IP-address has to be between 0 and 255. This isn't equivalent to the movie-specific 555 area code for phone numbers - having an IP address outside that range is like having a phone number which includes the % symbol - it's just impossible.
19th Sep 2007
Factual error: Danny explains how the glass was broken using ultrasound waves to hit the glass at their resonant frequency. He explains it could be done using a mp3-file and a mp3-player. As mp3-players are designed for the human ear, the upper frequency limit is around 20 khz, far too low to produce a sound capable of shattering glass.
10th Sep 2007
Continuity mistake: At the beginning of the movie, when Ann calls Matt to her house and they are about to make out, Matt grabs Ann with both hands by her throat. The camera shows both of them in profile with their faces very close together. When the camera view changes to from behind Matt they are much farther apart.
11th Jul 2007
Continuity mistake: During the fight in the bar, the welsh kicker hits one guy in his best parts and grabs the guy by his hair afterwards. The camera switches from in front of the kicker to behind him. Now his hands are nowhere hear his head/hair and there wasn't enough time to let go of the other guy's head. (00:48:50)
10th Jan 2007
Trivia: The film is directed by Kurt Wimmer who also directed Equilibrium. Both films not only use similar battle techniques (gun kata), but William Fichtner also plays a similar role in both movies: Both roles - Garth and Jürgen - are with the underground movement against the totalitarian regime of the movie.
14th Jul 2006
21st Jan 2006
21st Jan 2006
Continuity mistake: When the Nazi Colonel discovers Henry Jones sen. aboard the zeppelin, Indy asks him for his flight ticket. In the first shot, Indy is standing right beside the colonel (the camera is behind the colonel and Indy comes in from the right), in the subsequent shot, Indy is standing behind the colonel.
15th Dec 2005
Continuity mistake: During the "landing" of the space shuttle, Hilary Swank sets the air brakes to full. The first exterior shot from the back shows the brakes still engaged, the second shot shows them retracted. There was no command to retract them, besides the crew is still trying to slow the shuttle down, so they should still be deployed.
15th Dec 2005
Factual error: When Harry is beating up Malfoy and the two Slytherin boys in front of the Shrieking Shack, he grabs one of them by his scarf and rotates him around. The center of their revolutions should be at the end of the scarf (where Harry grabs it), but as there is no actual counterweight for the boy he has to balance only his own body, which moves the center of his revolution strongly towards him. (01:00:10)
14th Dec 2005
Other mistake: When Igor tortures the Werewolf behind the canvas, both of them can be seen as shadows, meaning a source of light is creating these images. When Igor hits the Werewolf with his staff, sparks can be seen through the canvas. First, as the image is a projection, the sparks would appear somewhere else on the canvas, and not exactly on the position of the staff's projected image. Even if the images are just silhouettes, the angle of the shot and the visible pillars indicate a much larger size then Igor really is. Second, such an intense source of light would alter the projection of the shadows a lot, not just a little bit in front of the Werewolf. In the case of silhouettes, they would completely disappear, as the source of light is between the 2 actors, and not at the side of them.
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