Deliberate mistake: Every time Nicholas enters his gate at home, it's daylight and then when he drives up to the house it is night. Either he has a 300 mile property or there is something else going on. It would appear that it is deliberate as it happens many times in the film. Symbolically, Nick is leaving the world as he appears with wealth and privilege (light) and entering the real van Orton world of solitude and sadness (dark). (00:09:00 - 00:09:55)
Plot hole: At the end, when Nick is on the roof and everyone is behind the metal doors, you hear the saws trying cut through the door and the sparks flying. Immediately when they cut through, the doors swing open and everyone is standing right up front with Champagne glasses. No one is holding any saws or equipment or have any in front of them. Nor was there any time for the people cutting the doors to run to the back to hide behind everyone else since the sparks fly right up until the doors swing wide open. (01:53:40)
Conrad: They just fuck you and they fuck you and they fuck you, and then just when you think it's all over, that's when the real fucking starts.
Trivia: Director David Fincher has admitted since the release of "The Game" that he wasn't pleased with the way the third act of the film turned out and he believes he probably shouldn't have made the film. He said that he and the writers had trouble coming up with a satisfactory ending, and that his longtime girlfriend and producing partner Ceán Chaffin tried to persuade him to drop out of the project as a result. He was quoted as saying: "We didn't figure out the third act, and it was my fault, because I thought if you could just keep your foot on the throttle it would be liberating and funny."
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