Continuity mistake: At night, on the train, Sugar gets the curtains stuck between the ladder and the side of the berth. In the next shot she opens the curtains while standing on the ladder and without moving it. (00:36:05)
Trivia: Monroe wanted the film to be shot in colour (her contract stipulated that all her films were to be in colour), but Wilder convinced her to let it be shot in black and white when costume tests revealed that the makeup that Tony Curtis and Jack Lemmon wore gave their faces a green tinge.
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