Other mistake: When the outlaws trap and rob a carriage in the forest, they put hooks on the back of it to keep it in place. But when the driver spurs the horses on faster, they run off, pulling the driver off the carriage and away behind them. There's no logical reason for this to happen, as you see the horses attached to the carriage, there is no evidence, either audio or visual, of the harnesses breaking, and in any event there really isn't enough force exerted for the harnesses to break to begin with.
Plot hole: The Bishop in the film is performing the duties you would expect of someone in his position (giving mass, hearing confessions, performing weddings etc.) He has his own private chambers in the cathedral, refers to Robin as 'the boy I knew' and talks about hearing his Father's confession four months earlier; so he's been around for a while. The problem is the credits refer to him as the 'Bishop of Hereford'. No explanation is ever given for why the Bishop of a city 100 miles away is living and working in Nottingham rather than looking after his own diocese; or why the Bishop of Nottingham isn't around to look after his. (The Bishop of Hereford was an enemy of Robin Hood in the original ballads, and it's likely the filmmakers just gave that name to the Bishop in the film due to its familiarity, without thinking about the plot hole this creates).
Question: Mortianna is seen practicing some sort of magic, and in the extended addition we see the Sheriff "praying" (I think) in front of an upside-down crucifix. And he assures Mortianna that his true faith lies in the "old ways." I'm trying to figure out: Is this art Mortianna and the Sheriff practice supposed to be Devil worship? Black magic with no real base, that they just invented for the movie? A form of pre-Christian religion, e.g. something like the Druidic religions of pre-Roman Britain? For the life of me, I can't put my finger on it.
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