Factual error: When M and his entourage arrive at Bond's estate their cars are surrounded by sheep. They then drive on down a unsurfaced road to Bond's house, past a pride of lions he keeps on the grounds. A series of sweeping overhead shots shows us it is all one huge field, with no fences or the like. Those sheep aren't going to last very long .
Continuity mistake: As the Dirty Dozen ready for the wargames, they are in a truck passing and saluting a line of American light tanks in closeup. Immediately after turning left into a circular driveway and stopping, in a long shot the tanks have quickly turned into a long line of Army trucks. There was no time for the tank convoy to drive off and have a convoy of trucks enter the scene.
Visible crew/equipment: As Quatermass drives back to the spaceship in a cab, just before it is to be drilled, the film crew can be easily seen in the cab's windows. A woman with a white cap can be seen holding a script. Later when the police use a megaphone on their car to announce the spaceship is a hoax, you can again see the same woman with a white cap in one of the windows of the police car.Larry Koehn
Continuity mistake: There's a scene where Audrey Hepburn's husband Sam is leaving their apartment. Standing on the pavement outside he hails a cab, which pulls up through a (quite sizeable) puddle, splashing him with water. Opposite him on the other side of the road are parked two cars and the villains' Volkswagen van. There's a quick cut-away exchange of "pleasantries" between Sam and the cabby before it drives off. The next shot has the villain (Richard Crenna) emerging from the van, crossing the street, and making for the door to their apartment, only all of a sudden the puddle has disappeared, as have the two cars which were parked behind the Volkswagen van.
Continuity mistake: Jim Dale and Anita Harris think that Barbara Windsor is going to jump off the roof and race across the road into the nurse's block. We see Anita Harris is wearing dark seamed hosiery as she runs up the stairs. A few minutes later she hangs down from the roof and the seams have disappeared from the backs of her legs. (00:59:00 - 01:01:55)
Plot hole: Towards the end of the film when Newman and the remaining stagecoach people are in the cabin at the top of the hill, Richard Boone's character sends one of his two henchman (the Anglo, not the Mexican) around to the back of the cabin to apparently surprise them from behind. Then Newman's character walks down the hill and Boone and the Mexican henchman are all killed in a shootout. Everyone comes out of the cabin, comes down the hill and the credits roll. I guess that now, almost 40 years later, that poor Anglo-henchman is still behind the cabin, waiting for them to come out.
Visible crew/equipment: After Lucifer talks to God and doesn't know what is happening and Saint Peter comes to escort him out they get into a discussion why he failed the entrance examination, you can see a reflection in glass between the camera and Lucifer and a man who does not appear to be St. Peter. (Maybe director Stanley Donen?) (01:39:25)
Continuity mistake: During a session in class when they were discussing marriage etc, Potter and Denham can be seen in the background leaning in their chairs against the wall. The discussion then involves them and the Teacher played by Sidney Poitier. In the scenes that follow it shows them leaning on their desk when the pair of them are talking to the teacher, and when the teacher is talking it shows them in their original posture with their chairs still tilting.
Continuity mistake: Millie's beads have a mind of their own. They do not stay in place even when she is standing still. Besides the funny scene during the title credits (when it is deliberate), and when Miss Dorothy registers, they also move during a scene when Millie displays her thoughts on Miss Dorothy's beads when the two of them go into the elevator for the first time.unkajes